All for Goddamn Naught (WWI) (2009)
Brodie-helmeted man-beasts barrel toward Vickers-blowing, bayonet-bladed men
Under the blue-glass domey skyshell, cross a gray brown, dead-pocked, grassless fen.
Death-bound screams swell-hollow, among bashed-space and trembling bomb-shook, leafless trees;
Rattling weapons, sibilating bullets, missile shrieks raze silence, the warisons riot the breeze!
Chaotic-thick tangle! and buzzing bluebottles, spiraling-wobbled, concussed display more sense.
The lucky-lions Valhalla-bounced fast, the enter-hour metal’s flesh-feast commenced.
While the hapless healthy, drab khaki’d, mudclad boys clashed for four years in the realms of Europe!
And hellbed-ready, war-afar donkeys bayed: ‘Boys, you may death-quaff, but war too, shall sip her cup!’
What delusioned-goads! for as murder-fell til nil at eleven, and ten million heavened,
And the unslew lines of broken-men wended home, shook, loplimbed, blinded, deafened,
All stretched flimsy thin; yet somehow proud, that their duty done and war future forbade.
But how-extreme sad: witness they, that evil lives; in truth, a greater evil they had made.
For a double-decade down the years, all their slaughter did not alter Mars’s earthly take.
Their fight was all for goddamn-naught, all their ‘glory’ rot, the war to end all wars was a fake.
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This poem is a vivid and haunting depiction of the horrors and ultimate futility of World War I. Here is an explanation and summary:
Main Themes:
Brutality of War: The poem captures the chaos, violence, and sheer horror of trench warfare during World War I. The use of sensory details—such as bayonets, bomb-shook trees, rattling weapons, and screams—creates a visceral image of battle.
Irony and Futility: Despite the immense suffering and loss, the war is depicted as ultimately pointless. The idea that the "war to end all wars" only paved the way for future conflicts underscores a bitter irony.
Deception of Glory: The poem critiques the delusion of war as honorable. Soldiers who survived returned home traumatized and broken, and any supposed glory or duty fulfilled proved empty in the face of continued violence.
Legacy of War: The final lines reflect the realization that, despite their sacrifices, the soldiers’ efforts did not stop war; instead, their suffering was for nothing as future conflicts ensued.
Analysis of Key Lines:
“Brodie-helmeted man-beasts barrel toward Vickers-blowing, bayonet-bladed men”: Soldiers are dehumanized, described as "man-beasts," indicating the brutal and primal nature of combat. The "Vickers" refers to the Vickers machine gun, a symbol of relentless slaughter.
“Under the blue-glass domey skyshell, cross a gray brown, dead-pocked, grassless fen.”: The imagery of a lifeless, war-torn landscape beneath a serene sky highlights the stark contrast between nature’s indifference and human destruction.
“Death-bound screams swell-hollow... trembling bomb-shook, leafless trees”: Emphasizes the fear and devastation of battle, showing how even nature trembles under the violence.
“The lucky-lions Valhalla-bounced fast”: Suggests that those who died swiftly were the lucky ones, as they were spared prolonged suffering. “Valhalla” references the Norse hall of warriors who died in battle, implying a false glory.
“And hellbed-ready, war-afar donkeys bayed: ‘Boys, you may death-quaff, but war too, shall sip her cup!’”: Critiques military leaders (“war-afar donkeys,” a term reminiscent of the "lions led by donkeys" idiom) who sent young soldiers to die, highlighting their detachment from the real suffering.
“Their fight was all for goddamn-naught... the war to end all wars was a fake.”: The concluding lines state the ultimate point of the poem: that World War I failed to achieve its lofty goal of ending all wars, proving instead to be a prelude to more violence.
Summary:
The poem paints a vivid, chaotic picture of World War I's brutal reality, exposing the trauma of soldiers, the devastation of the land, and the ultimate futility of their sacrifice. It critiques the romanticized notion of war, showing that the sacrifices made did not lead to lasting peace but rather set the stage for further conflicts. The poem's tone is bitter and mournful, lamenting the deception of honor and the legacy of violence.
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This poem, Cathedral (2011), evokes powerful themes of redemption, spiritual protection, and divine transcendence, using dense and highly symbolic language. Here is an analysis of its key elements and themes:
Main Themes:
Struggle Between Good and Evil: The poem opens with imagery of a "dashing demon" and "dashing death," suggesting a pursuit of a soul by malevolent forces. This struggle reflects the tension between sin and salvation, darkness and light.
Sanctuary and Protection: The cathedral symbolizes a place of safety and divine refuge. The soul finds shelter from evil within its walls, portraying the sacred space as a protector.
Divine Intervention: Angels and divine figures are depicted as banishing sin and evil, demonstrating the redemptive power of faith and divine light.
Transformation and Illumination: The poem explores how spiritual encounters transform the soul, bringing light and clarity even in moments of darkness and despair.
Analysis of Key Lines:
“Dashing demon, dashing death, downward days rushing fast”: This opening conveys urgency and the relentless pursuit of evil or death, personifying them as active forces against the soul.
“But then! smack-smudged badlings ‘gainst the stiff gray granite vast!”: The demons or sins are thwarted by the impenetrable strength of the cathedral, symbolizing how evil is repelled by faith or divine power.
“‘Gainst the oldworld-outcast-wornstone, how so unoccupied cathedral!”: The cathedral, though ancient and seemingly abandoned, holds the power of protection. This paradox highlights how true spiritual power can appear dormant yet remains potent.
“And soul safe slip the stepp’d seal, into, under, cupped door-hands of Heal.”: The soul finding refuge in the cathedral suggests healing and sanctuary. The “cupped door-hands” imply the divine hands welcoming and protecting the soul.
“Soul in Soul, and Soul so feel, not see, angels wax wicked to a vapor peel!”: The presence of angels that drive wickedness into nonexistence (“vapor peel”) symbolizes the purifying power of divine beings.
“Though dimly side-lighted candle fire, some unsmall unsaw lightwide wax high!”: The light imagery indicates an inner, spiritual illumination that transcends physical light. It emphasizes how divine inspiration or revelation fills the soul.
“Chopped blind-eyed, chopped lost-roam, here home, heart here smears, stomped banish!”: This line suggests that in the face of spiritual illumination, blindness, confusion, and lostness are eradicated. The soul finds its true home and peace.
“flair from eyes, flair from eyes, from flair eyes much love all fair that flair from eyes”: This repetition highlights the transformative light within, radiating from the eyes as a sign of love and divine presence.
Symbolism:
Cathedral: Represents a fortress of faith, a place where the soul finds refuge from the chaos and evil of the world.
Angels and Light: Symbolize divine guidance, protection, and the dispelling of darkness or sin.
Sin as Mist: The description of sin as a vapor or mist that dissipates suggests the fleeting nature of evil when confronted by divine power.
Eyes and Light: Repeated mentions of the eyes emitting light symbolize the soul's transformation and enlightenment.
Overall Interpretation:
Cathedral (2011) is a meditation on the power of faith to protect and transform the soul. The poem’s complex, layered language suggests that amidst the relentless pursuit by dark forces, a sacred refuge can offer divine intervention and protection. The imagery of light, both seen and felt within, represents the soul’s ultimate enlightenment and salvation. The poem concludes with a triumphant note, emphasizing that within the towering sacred space, love and divine presence prevail, making the struggle worthwhile.
4o
The Coming Always (2011)
the sphere only dipped in Eden-mist for moments.
soon again the globe redly glow,
and the charring-redly dance the green to fecaled-brown.
dance the stilled-blue to smudged purple
the earth brutaled by the terrible light of the
everywhere wicked things,
that ignited-spawn seeming from fields of zilch
and burn the capitol granite-rounds and squares to the ground
as the delusions of falling hatred and murder
are melted from the world
and their sweet stuffs run in plump drips and gulps
down sewer drains
the wise felt the insideout light before it came
not knowing how that murk shine
but they sensed the coming always
the lovers jitter mystified by the confusion of yet another night
they were promised the dark would not advent again
the evermore sunshine of our magical era
were avowed in the knowing that they were different
sprung angelic merely from being enough years beyond Christ
and enough into the torture of nature
clever utmost, kinder through, history wrapped, thus sagacious
See how the clean stand on plains and streets
eyes-wild, flame-sheened like they glossed fake fruit
Their arms scared, slither-caduceus their own selves
given up on help
so sooty they, juxtaposed to their once were,
the deniers are so true to all times - Demon-shocked
“We thought the Low was eternal dead,” lips in circly-waves say
How they extincted all the ones who could save them now
But in a pampered world, angry-eye bulge only faintly in some few
The true warriors are educated away
Oh You, you who do this, did this,
Don’t squint into the insideout light
Gaze forever upon what you have made glow again
Bird on Breeze (2012)
The bird lay on breeze steady, the staying sway above the river run smooth away
The wing fill with the visible not, comfy upon, around, over, under the pinioned-lot
Oh how the Near ones hover light, near the Near One are the birds of morning flight
How do you write the dawn wind? With sounds of shush, swushes and sissing sind
The sent soaring is our life as well, gale glide we like the birds of the nothing tell
If we let it we are housed by the wind, and if we move not and we have not sinned
But god, how we flap and headbutt the carry, push the atmosphere, strain and wary!
But oh at just the right yaw, we be poised and we lay too upon moved by the moving all!
Angel with Relapse (2011)
I may gentle life with such downy word, thought, deed - that all me bless;
gentle so that the scaled, jagged men of earth yield to a marbled smooth
in my presence
No free bob a bit of care in the vast soul of me if any see
I just do from some turning tight crux that spume so wide and so much soothe
Utter replete good soul, that to reckon me man would be much unfit
In times those, the sole sobriquet to meld to my nature is saint
But then, a squirmy splinter in the unbroken white sheet of spirit show
Cured unwound: the threads and frays of human trail tangle-trip and rumple me
And saint be grumped, mumble stuck - eye squint, wolving through the ordinary
No reason, yet reason sharp, a wit a’scalping in the rotten wides of the world
Beauty wrinkles, its leaves curl blackened, the seen concatenate ugly to ugly to ugly
Angel plummet, slip rocks in heaven, I can avow, even slip rocks in heaven
Noise of God (2012)
Divinity’s daffodil quill voice hear so holy, holy sweet in every each sonic spec,
In the broken sleeper nose, the buzz-bug ear near, the busy signal disconnect;
In rapid-quaked jackhammer cackle-bounced gainst’ concrete;
In the timbermade wheel horse-pulled click-clack on cobbled street;
In the honkhorn-siren ricochets that so glut the cramp-bricked neighborhood;
In the bitty bar bungled by bigger bar into the constructed home’s whacked-wood;
In the silent diner, now overran by seriatim thudded-knuckles, smacked-chew pie;
In engine spiral-rumble, drivers’ oath churns, and tires rounding-voosh by.
Hark! God's psalms in hoarsed howl of hoarded hound in lonely confinement;
Lis, the wisdom wound with winding shrill curses flung among two lovers’ misalignment;
And the pure joy in the paper crisp air torn by children bursts, or bliss in plane lift off;
Catch the canticles of the constant-crinkle-clouds of storm, undumb clanked-dumpster, rapping cough;
The fun in belling phones, yawping baby, droning buses, laved dishes, pot, plate and cup!
Yes know! All that grates truly whispers hymns; cacophony choirs each irknote toward the Most Up!
So sit, special tilt and stay the heed to stop the banging, the clanged that all a‘bout brim,
and oh, be a lovely ear, eavesdrop in on this ever-going dispensation of Him.
Cathedral (2011)
Dashing demon, dashing death, downward days rushing fast,
Reaching, nipping, clasping at the back of the good-so-good soul;
But then! smack-smudged badlings ‘gainst the stiff gray granite vast!
‘Gainst the oldworld-outcast-wornstone, how so unoccupied cathedral!
And soul safe slip the stepp’d seal, into, under, cupped door-hands of Heal.
Soul in Soul, and Soul so feel, not see, angels wax wicked to a vapor peel!
And the sin mist dallynot, twitch to flakey, ‘sperse to vanish!
The shaded vacant, pitchy vaulted, we beneath fanned pinion of our Lord.
Though dimly side-lighted candle fire, some unsmall unsaw lightwide wax high!
This alight-light gush - how we see so bright light in our dark’d skulls?
Chopped blind-eyed, chopped lost-roam, here home, heart here smears,
stomped banish! we call into the not-two
Bequeath fragrant stenchy this, beamy glint upon the skin,
flair from eyes, flair from eyes, from flair eyes
much love all fair that flair from eyes
inside the tower’d, hallow-hollow high
The Descent is Easy (2012)
Dark slowly snugs all around you,
as you look into the Other Heat,
and watch the ornate swirl and curlicue
of the wicked,
mesmerized by what the men of God
said to stay away.
What do saints know anyway?
Look what the believers do -
so the opposite is the truth to fools.
The flames of hell may be played with
and you shall feel no pain.
At first they soothe the skin, mind tickle.
You toss the little spark upon your palm,
as the on-lookers back from you.
You relish in being a daregod!
How superstitious those who retreat!
You feel you've been lied to,
Look! You are jaunty with fire
- there was nothing to be scared of.
God and the Other Him are the same,
or both not real.
So then you roll in the flames
And it still feels luscious and interesting.
Demons look like stuffed animals
watching on.
The men of God, back farther yet
You smile at them through the
white, misty smoke-
How old fashioned? Adults scatter at a delusion.
But then in just the start of a wink
you are scorched and torqued by raging
bursts of evil and
flashing whips made of denial of Light!
Cringe and back-arch pain now!
oh, you flail-writhing evermore!
How instant, the cool turn to sere.
In the flicker, the transform
of the enticing to replete death.
Then worse, in passage,
even slamdance of heat
die away and one is entombed
in the cold and gone. The All Gone.
And you drift in seeming timelessness
weeping, nigh de-souled.
But listen to me, listen to me
wherever you are!
You can hear me!
God will return to you.
Angels always swoop.
There is always a way back,
and a trajectory out of the doom place.
God never abandons a soul,
He cannot violate the Nature.
He is doused in Love only,
Love only clunged.
Yes, there is such a thing as forever,
but there is no forever in hell.
And thus we pray for all such.
Such as you.
Autumn or Eternal Lawless (2013)
Autumnal purple-ashen wisps among the moon peeping, peaked-black sky.
The joyous weeping wind, reaping the last heat of a summer just nigh,
Cools itself and rumble-swirls with the company of the breaking world!
Warmth and tree-bits fill it's sweeping void as ocean’s gravel curl-
These leaves, like the manifold scaling-shades of man,
Each year are dumbfounded by the Deity's degringolade plan:
Gadabout grimly through the turning, dry air:
Grumble-crinkle as they spiral to the ground in despair-
And the human souls therein this un-inside-
Watch the transfiguration and likewise their thereins upon nature ride:
And a sadness whelms them as the collapsing parade of another season fade:
Yet, if wise, also evinced by the earth’s ellipse: that by time they are not made:
For though their flesh fall like Falls,
The I which sees through the eyes never stalls -
And that they may know.
So all our falls are fallacious, for we were fashioned a forever-flawless:
The dervish sphere may, for law, spin asunder yet we are eternal lawless!
Baptism by Wilted Flower in Sidewalk Crack (2013)
See this so dry, weak spurt of dingy flora made
Sprouting-limp through shaded-fissured concrete poorly laid.
Its ratty-edged spaded slight-dunned blades at base-
Flaccid sloped shoot, crook’d spray.
See it arise inglourious to an apex parched,
And its haggard-yellow petals in half-wilt.
Its drooped-bloom as if cumbered by guilt-
Could God be so poor at His trade?
Here it sits alone, no brothers or sisters of the field-
On this dank block, in this seared-dim summer city that to ugly yield,
That to misery and lorn, that to sorrow and downfall tilt.
Dour I, downward daze, red-dry eyes dwelling on flawed floret.
I scope it sway on the dolorous slate,
and-in-an amber sweet sunlight it shriveled yet.
It nigh made me weep, for it reminded me of me -
Alone, barren, homely,
hot, trampled nearly by life on-going-
Though still someway, I saw it saw itself as I saw myself:
Far farther than fortune had flung to our souls by its sowing!
But no tis not our fate to be so great - we wrinkled, we forsaken -
oh, are we not?
We grow, I said, we gruesome two, we grow as we rot -
and the world ignores us, scoffs us, cares not if we were not.
And there I stood, gazing at the thing on the dank block.
But then! My God! By some amazing how - a swift-flip-flop,
foul-fond shift!
You see, askance I squint and say, “What’s this?”
For palpate I, something fetch!
Now, I see a forceful queer delight at the appalled-site beneath my step -
For smeared in this sparsed, withering near-bruised-burning scape-
the wind-blew fresh, and the stem of this little brittled thing freshly sway,
rocking the flower just a flit from its rest
so that it did itself for a minute in a sort of pretty mini-minuet!
Where before was this? How so rapid the world transformed!
The dead, greened, the rigid suppled, the desiccated, stormed!
The entire world now drenched and cool in an almost fluid beauty and light!
The entire world deluge, the entire world drip-bedraggled, soothed in bright!
Oh my eyes attained a second sight, saw a set within a set -
All a’sudden this awful weed awe’d and lo! effulged in like waves
anew wholly beautiful and blest!
The veins and pinnates plumped to ripe!
The shabby by some alchemy wiped!
The mangled was now magnificent, the worst now the best imbued!
The heaved life of living it, now somehow spirit dewed.
And the reign of dull-veiled, ruined existence was, by me, also not kept-
Twas’ traded for beamed beauty in the mere flower’s beingness
My God, my god, how I streaming wept!
In spirit billows of glory came this beauty rolling, rollicking
And by this Spotlessness was I doused-misty and chilled sately
By some presence, sheened in some holy wet
As this crowned grass lost gross to be a delectable, exquisite holy floweret!
I watched and watched for time, by sodden rapture beset:
And self vanished far into this new-gorgeous, this new-gorgeous, some dam let!
Then I paused pure, majesty rinsed any foul of me and weed, and softly said a revelation:
“The Presence of God replete eternal in each as a tiny everpresent loving droplet,
The morsel is the ocean despite its size and seeming bitty spread!
So ever more, stop and peer at everything dry-dead, and let the dropt raise up from its bed!
For the Lord may random-ripple fresh baptismal pools, out-from-in, in, onto everything everywhere yet!”
To Hold You
To wish to
Hold you
as a master
Hold his brush;
A wind hold
the unflapped falcon;
Earth hold monument;
Concentration hold thought;
Genius hold vision;
Unseen hold planets and stars;
The bullet hold death and saving;
Silence hold conversation and song;
Volcano hold unborn worlds;
Philosophy hold doubt;
Saint hold gnosis.
God’s gaze hold life.
To hold you as I hold to
this hope of holding you.
Blasphemy
I shudder if I...
Imagine the abandoned state
if I forget to pray
to You...
A dearly wasted stay
on earth to disobey
the revealed Truth:
You become my Bible, you my Qu’ran -
All other thought be banned.
I joyfully submit to this theocracy.
Your Image, my icon and my emblem,
You are my Mecca, my Jerusalem:
To glimpse another face be idolatry.
Your name I recite
when in pain, when in night;
What you desire are my decrees.
For it is my soul that is at stake
There be not a minute to forsake,
Worshipping false Shes.
My cathedral is Your happiness,
Your silence to my prayers, my madness;
My hell, Your single tear.
I am baptized by our unions,
Thy gazes my communions;
You are the source and death of all Fear.
So stay close to me my Lord,
You are my condemner and my Sword -
With you, I am fragile and invincible.
Thus! Let all the false gods assail me!
But I shall not fail Thee:
My Savior, from here to the Invisible.